Montreal International Documentary Festival

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New Visions Competition

Okurimono Laurence Lévesque

Two decades after her mother’s disappearance, Noriko Oi returns to her hometown of Nagasaki to put her childhood home up for sale. As the rooms empty, this homecoming becomes an intimate quest, revealing fragments of a painful past buried beneath the rubble of history’s defining nuclear attack. In her desire to discover this woman beyond her maternal role, and facing the inability to ask her questions directly, Noriko turns to the survivors of the same catastrophe, breaking the silence of an intergenerational trauma. Cinematographer Laurence Lévesque captures this moving story through a stringently sparse aesthetic and meditative rhythm, subtly reflecting a culture where emotions are often hidden. (AAM)

Laurence Lévesque also programmed in the festival a free screening of L.A Tea Time as part of Doc-to-doc and will participate in a conversation with the filmmaker Sophie Bédard Marcotte.

competition : New Visions Competition

Okurimono

  • Country : Canada (Quebec)
  • Year : 2024
  • V.O : Japanese
  • Subtitles : French or English
  • Duration : 96 MIN
  • Cinematography : Sébastien Blais
  • Editing : Marie-Pier Grignon
  • Production : Catherine Boily
  • Production : Rosalie Chicoine-Perreault
  • Music : Wilhelm Brandl
  • Sound Design : Camille Demers-Lambert
  • Sound Design : Marie-Pierre Grenier
  • Sound Design : Olivier Germain
Filmography of Laurence Lévesque :

Drap contour (2018)
Port d'attache (2019)
Perséides (2023)

The film’s journey :

Visions du réel | Hot Docs

Presented in same section

Kouté vwa

by Maxime Jean-Baptiste

The Treasury of Human Inheritance

by Alexis Kyle Mitchell

Rising Up at Night

by Nelson Makengo

Eastern Anthems

by Matthew Wolkow, Jean-Jacques Martinod

Up the River with Acid

by Harald Hutter

The Undergrowth

by Macu Machín

Holy Electricity

by Tato Kotetishvili

An Oscillating Shadow

by Celeste Rojas Mugica

Les Miennes

by Samira El Mouzghibati

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